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Artists As Arts Advocates in the Community: Residencies That Go Beyond The Classroom
We must be the change we seek in the world. Gandhi A successful artist
residency requires tremendous amounts of time and effort particularly
in planning for both the artist and cultural institution sponsoring the
program or project. Successful residencies
mean, in part, that the children, the host site, the artist, and the individuals
responsible for planning and funding the residency are enthusiastic about
what the arts and artist accomplished, and need no further convincing to
participate in and fund a future residency. Artists
do well to understand and to acknowledge that there is a lot at stake for
the residency sponsor. We can never forget that
art is about people and relationships.
Art is the putting together
of who we are, what we dream and hope with the world around us! We can provide successful
experiences for all by considering the human aspects of our work. Among these: ·
Implementing residencies
usually involves fund-raising and grant writing for the sponsoring site. The site is people!
Artists who have endeavored to fund raise or write a grant
have insights into the effort required, and appreciate the
time, work and thought involved in acquiring funding for residency
projects. ·
Often someone feels
they take a risk selecting the artist and target group. Should the project be assessed less
successful than promised on any level, someone will
receive negative comments. Careful thought about
ideal outcomes and a solid plan are useful in assuring a successful project.
·
Frequently someone
must be a strong advocate for the arts as a valuable educational and life-enhancing
resource in order to get the initial interest and cooperation from the
organization. Those willing to be supportive
of the arts need to be supported themselves! Artist Residency
programs are often developed to target a select group of individuals in a
school or community. It makes sense, and is practical,
to set goals and parameters that enhance the project’s chance to be effective. This concept is not unlike that of form in art. Music generally has forms that allow composer,
performer, and audience to organize sounds effectively for communication. Art, poetry, dance, and the visual arts have their
effective organizations or forms. As with art, what
an artist does within the form of their residency can make the
difference in the successful experience of it.
One can stretch the boundaries of form to create
art that is special and far-reaching. An artist
can similarly imagine the form of a residency in a grand context and thus
extend the possibilities for success. The artist can extend
the possibilities of success by involving as many people as possible
in the residency. An artist can get to know
the personnel in the front office of the school or institution. Do any of them play, sing, draw, etc.? In the school setting, is there a way to involve
the principal, assistant-principal and guidance counselors in the sessions? It is important to facilitate involvement,
to invite administrators to stop by the classes and to engage them
as apprentices or collaborators in some way. I
have enjoyed many life-enhancing moments by inviting principals to play
tambourine accompaniment with me to the delight of all.
What fun for the children to experience the artfulness
of the adults in their lives! At the very least
administrators can be involved in roles of introduction and express their
enthusiasm for the program. ·
An artist has a far
greater impact when all in the community are aware of the project and
feel a personal connection to it. Are there any teachers
who played instruments or were active in drama or art in high school
and still enjoy making music or art? Is there
an opportunity for these teachers to perform or talk about their experiences
with you or the students during or after the residency?
When opportunity is provided for teachers to shine: ·
fellow educators
are amazed to learn about their colleagues’ talents ·
students enjoy feeling
pride for their teacher, and share that among themselves and with their
families ·
the teacher’s own
pride and self-esteem is nourished. For dance residencies,
calling upon the athletic staff can be a catalyst for enthusiasm. Did the physical education teacher have dance instruction
during college sports? Do they
know of professional teams who use dance for injury prevention and enhanced
performance? Are there other ways they know
the arts enhance performance in sports? Does the Resource
Officer or other regular guests of the school participate in the arts? At one school in which I was the resident artist,
the D.A.R.E. officer moonlighted on drums. He
was delighted to be able to share this with me and happily played snare drum
during my Revolutionary War program. Not only
did the other officers learn of his collaboration, but children and their
parents saw him in a new light and the local coffee shop he frequented spread
the word of his participation in a school residency. It is experiences such
as these that are remembered and cherished in our lives! If some of the targeted
children of the residency are in special classes, engage them in apprentice
type roles should you be providing school presentations for other children. This kind of activity greatly enhances the self-esteem
and proficiency of the children who participate with you, and builds
awareness of these children and their programs throughout the school. An artist can look
to the community arts organizations for models of audience development. Community orchestras, theatre, and opera companies
perform with the local chorale or with children’s theatre groups creating
an instant audience of family members. A culminating
event featuring the children’s work as well as that of the artist ensures
family participation in the residency. |